Paloma Bianchi’s Choreographic Work Hacia as a Practice of Amerindian Perspectivism

Layering the Choreographic Process: Making Dance Work with Machine Learning

This paper discusses a new performance by the author that was made in part by machine learning algorithms. Working with the t-SNE algorithm to visualize data, a choreographic score can become performed through a layer of images, live coding and an improviser performer. The final performance aims to produce new possibilities for live performance through using code to traverse clusters of media t...

Work as Social Practice: Activities and Interdependancies

Examining work as social practice offers a means of understanding relations between behaviour and the social world; or the mind in activity. Recent views have proposed that cognition is distributed (Hutchins 1991, Resnick, et al 1997) or stretched (Lave 1991) across the social partners and artifacts that comprise the social practice in which they act. Therefore, more than proposing social pract...

translating allusive devices:a survey of a portrait of the artist as a young man by james joyce

تلمیح یکی از عناصری است که تقریباً در همه ی متون ادبی یافت و باعث ایجاد شکاف های فرهنگی می شود. در این تحقیق به عنوان شکلی از بینامتنیت در ترجمه مورد توجه قرار می گیرد. تلاش شده است تا راهکارهای مترجمان برای ترجمه چهار نوع اسامی خاص و عبارات کلیدی تلمیحی (مذهبی، سیاسی، تاریخی و اسطوره ای) موجود در رمانِ چهره مرد هنرمند در جوانی به فارسی بررسی شود. این تحقیق مقایسه ای بر اساس راهکارهای ترجمه تلمیح...

Perspectivism in Social Psychology

Kickstarting Choreographic Programming

We present an overview of some recent efforts aimed at the development of Choreographic Programming, a programming paradigm for the production of concurrent software that is guaranteed to be correct by construction from global descriptions of communication behaviour.